By Steven Suskin
Referred to as the "theater identical of longtime New Yorker movie critic Pauline Kael" by means of Matinee journal, critic and manufacturer Steven Suskin chronicles the 2001-2002 theater season in his most recent installment within the Broadway Yearbook sequence. Commenting with wit and erudition on each one convey that opened on Broadway among may perhaps 2001 and will 2002, Suskin's vibrant descriptions keep in mind Tony winners like completely sleek Millie and Urinetown and advertisement smashes like Mamma Mia! and The Graduate. a very good learn for theater buffs, the e-book is additionally a worthy sourcebook for critics, Broadway historians, and theater pros, offering an array of facts on each Broadway construction of the season, in addition to noteworthy off-Broadway performances. The clever and witty Broadway Yearbook, 2001-2002 will have interaction theater fanatics, performers, and critics alike.
Read Online or Download Broadway Yearbook 2001-2002: A Relevant and Irreverent Record (Broadway Yearbook) PDF
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Additional info for Broadway Yearbook 2001-2002: A Relevant and Irreverent Record (Broadway Yearbook)
The Roundabout continued to do pretty much what they had been doing in the manner in which they had been doing it. But art is a tricky business. The 1998–1999 season saw only two “Broadway” productions. ) Much was expected from their revival of the Cy Coleman– Dorothy Fields–Neil Simon musical comedy Little Me. The show, though, is exceedingly stubborn. It failed, originally, in 1962; it failed when the three authors revised it in 1982; and it was even less successful in the Roundabout’s revision, despite the presence of Martin Short and Faith Prince.
Me, I never watched TV’s The Nanny. As I entered the Cort, Taylor and Bologna were — to me — a third-rate copy of Jerry Stiller and Anne If You Ever Leave Me . . I’m Going with You! 29 Meara, whom I always placed second to Eli Wallach and Anne Jackson. Nothing I saw in If You Ever Leave Me . . I’m Going with You! changed my opinion. Fleeing along Forty-eighth Street after the show, I overtook a woman, her daughter, and her daughter’s daughter. They had presumably been sitting farther toward the back, as I got out of the theatre quick, let “Bologna” is an Italian word for ersatz me tell you.
M. the night before the performance; as you left the show, you could see them lurking in the shadows under the trees. ; and then had seven hours to rest before curtain. The majority of them weren’t all that interested in the play, mind you. Meryl Streep and Kevin Kline and Natalie Portman were the draws; imagine the lines if they were appearing in something more accessible than Chekhov! Crazy New Yorkers standing in Central Park—of all places — through the night, simply to get a theatre ticket.
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